Illustration Studies presentation

Description

The web page of the Mateo Inurria School of Art (Córdoba). It features information on the School, the studies, students projects, the activities of the school, and practical information on how to apply, when, admittance process, etc. All this information is updated real time from different teachers.

The main goal of the project was to include a big amount of information while keeping navigation  quite intuitive, fast and easy.

Apart from what has been said before, it has hosted polls, different galleries, video contests and many add-ons that make it very practical for school everyday routines and needs.

I did the graphic design and the development with Joomla!: escueladeartedecordoba.es

Motivation & Process

When I arrived at my new school destination, there was not a web page. The information about the school was published on paper hanging on the walls. People had to go there to get a leaflet from a table to see what you could study there.

A group of teachers got together and started to compile information and take pictures and I did the information architecture, the graphic design and the development. The goal was to make it simple to navigate and simple to update by teachers and other staff members. We also aimed for neutral graphics that could appeal to most people at the school.

Since then, we also created a Facebook® profile and a LinkedIn® profile and the communication within and outside the school is much more fluent now.

Screenshots

Activities during last year

Sometimes, humor is the best way to let people see and understand something personal, intimate or just cope with the absurd side of us. In this project we tried to show how technology feeds the greedy Narcissus inside us.

Description

The week about Film making fundamentals gave us an overview of the basic stages of film production that can be applied to basically any type of film regardless of origin and size.

We came up with the story for a futuristic product that will change our relationship with fiction media…

Heroes of 2020

Our fascination with heroes starts in our childhood and follows us in different ways. Should we stop admiring them or should we try to become one of them every minute of our lives? We were seriously asked to find out how would be the heroes of 2020 but we wanted to find out if that was a good question.

Description

The workshop intended to offer us theoretical and practical tools for an editorial approach of visual production. It concentrated on the diversity of means of the critical ‘journalistic’ tradition in media that works in the tension between realistic imitation and self-conscious artifice, i.e. between representation and presentation.

The workshop focused on the editing and meaning building process.

In reaction to the virtual realism of the spectacle dominating mainstream media, which prevents a meaningful use of word and image, the workshop deals with textual, visual and other practices that further more complex and argumentative forms of communication and foregrounds the constructed nature of messages in order to solicit the active interpretation of the viewer/reader. That is why the emphasis is on the potentialities and richness of the ‘reflexive’ or ‘dialogic method’, trying to recuperate the specificity of its projective and emancipatory practice. Taking the social workings of the message as a starting point the workshop focusses on the editing and making process, introducing a method which structures the collecting and editing of information in a way that lays the foundation for the staging, the mise-en-scene of fact and vision to the multiple sensory tracks of the visual.

PoLPs project site

DESCRIPTION

The POLP (Possibility Of Learning Places) network is a digital space for kids to learn from each other about math but based on the world around them.
There will be basically two possibilities for people to play in this network:

• Find, Create and Publish geolocalized (math) content using photo or video. That content can be edited and elaborated later by anyone in the network; drawing and writing on it, tagging it (3 max) and classifying it for a targeted age range. It is an instance or example of a math problem, concept, term or topic. So for example, imagine you are a teacher explaining multiplication to your students and, as homework, you ask them to take pictures or sounds, etc. from their surroundings that are an example of multiplication. Students could take pictures of the windows of an office building or a fragment of electronic music and upload them (tagging, commenting and targeting them). Kids share their homework problems linked to real places and situations relevant to them.
• Scan the area where you are and find POLPs by other group and classmates. Of course, you could also be automatically notified if you wanted so. Instead of doing homework sitting in your room, you go out and find problems your classmates have created and get points solving, correcting and improving other kids problems.

POLPS can be graded and ranked.

Video Scenario

LOGIC OF THE NETWORK

The goal of the network is to create local, situated/connected learning communities that explore and inquiry the world around them. The drive is to connect what children learn in school with their everyday lives providing the opportunity for homework that is creative and outdoors. The communities are formed by teachers and students in a certain class in a certain grade in a real school. Parents and other agents in the neighborhood could join.

Some key aspects a) technology (cell phone) is used to explore the world around. Normally, kids use technology in an isolating way. The screen becomes their world. We try to make kids look around, be curious and create questions. b) the network is created by people who know each other and who see each other in real life on a daily basis. c) creativity and collaboration are rewarded more than competition.

Knowledge is created by the interaction of kids between them and with their world.

The tool promotes social media creation and communication skills apart from being based in inquiring the world.

Children work in groups of three to four members.

Groups are organized within classes, within schools, so there is a growing hierarchy and challenges range from the individual level up to the  highest level (person, group, class, grade, school, district…)

Teachers (and parents?) can also participate creating problems. Ideally, people around school (little shops and other agents in the neighborhood) could also join.

Process so far…

This is an overview of some of the steps in my participatory design process including rapid prototyping, user research, workshops and tests. A blog about the project can be visited in more detail here.

CHILDREN GET POINTS WHEN…

• create an example (picture or video) from their context that is related with what they are studying at school (2p)
• create a problem for an example (3p)
• solve problems without help (1p)
• help other kids to solve problems (2p)
• correct mistakes in other kids problems (2p)
• ask for help and acknowledge help received (.5p)
• the problems they have created are not solved by people from other groups (3p)
• problems are “liked” because they are fun or smart or special (3p)
• they “like” a problem from another group (1p)
• create/share/choose web resources that are related (1p) and liked (2p)
• they solve problems where they were created (2p) (?)
• they create problems that are far from the usual place (2p) (?)

CHILDREN LOOSE POINTS WHEN…

• they have made three mistakes (1p)
• they cannot solve a problem they have created (2p)
• they do not create a minimum number (3) of problems per week (1p) (?)
• they do not solve a minimum number of problems (5) per week (1p) (?)
• they create a problem that is wrong (cannot be solved) (1p)

GROUPS

The points of a group are basically the sum of the points of the people in that group. If the difference in  points is not bigger than a certain percentage (20%?) the group gets extra points (10p).

MISSIONS

Teachers or winning groups can establish missions that are defined by a topic of interest (sports, cooking, speed, clash royale, stars wars, etc.) a time period (a week) and a minimum number of points per group.

BADGES

Kids get badges every certain number of points or after a level of difficulty is mastered.

When they get a new badge, they have some  privilege like establishing the theme of the next week.

PROBLEMS

Problems are categorized by their context, grade, (reference to the curriculum) and type/level. There are three types of problems (normal, too many data, and no data). These three types of problems correspond to levels of abstraction and therefore after children have a number of points (25p) on a level, they get a badge and upgrade to a higher level.

Problems are created with photo, video and audio or text. Drawings (on top of the picture) can also be added.

There is a database of example problems (text) that can be used to get ideas to create real contextual problems.

LEARNING ANALYTICS

Teachers get detailed reports on the work of every student.

The reports give the usual quantitative information about academic achievement. But also (qualitatively rich?) info about creativity (problems created, problems liked), collaboration (mistakes corrected) mentoring others (help given), difficulties (help asked/received) and motivation (global activity on the network).

Happy child playing with the superbleeper

When I was a kid, my math teacher used to say that “math was everywhere…” but I couldn’t see it. I enjoy learning anything but math was always difficult for me; why?

This project is, in a sense, about making visible the invisible; about revealing what is hidden inviting people to explore and understand. It offers people the possibility to make connections between different things. It is trying to make people ask themselves what is going on, what is going to happen next and what would happen if “I tried this”.

Tests & context

I tested the concept with more than 12 children between 3 and 6 years old in three different contexts:

• home/private environment
• preschool with educator assistance
• preschool without any assistance

I didn’t explain anything to anyone just put the Superbleeper on one of the tables among other toys and let kids play if they wanted.

Watch longer fragments here

The system

The Superbleeper system

Children interact with tangibles in order to create rhythms using math concepts. They get tactile visual and aural feedback.

Width represents duration of sound. A quarter, half and whole notes.

Height represents the pitch of the note. Every block piled, adds a tone. An E (quarter), G (half) and D (whole) notes

Shapes, represent the waveform of the sound synthesized. Ramp, sine and square waveshapes

The colors are mapped to different musical scales. They define the starting note around which the scale is created (C1, C2, C3, etc.)

These notes can be placed on the sides of the Superbleeper sequencer box in order to listen to the sound created. The sequencer cube admits one block on each side, so 4 steps rhythms/sequences can be created with different notes and different durations. Visual light feedback is provided to make clear the connection between the sound, the block and the math that describes it.

The picture above shows the Superbleeper sequencer box with one wooden block representing a whole E note with a sine waveshape. Lights show the duration, height and scale of the block. The sound that is synthesized and played corresponds to the tone defined by the wooden blocks.

Kid touching, watching and listening to his block

The process

Research

I followed a Design Ethnography and Participatory Design method working with children throughout the whole process. I interviewed children during research while trying to understand their likes and feelings when learning and playing.

I run ideation workshops with kids to get inspiration from their designs and mockups. When I went into prototyping I worked with kids as testers and users (following Allison Druin terminology and framework).

Video prototypes & ideation

After research, I created these two ideas of which I picked the first one.

Iterations of the prototype

Tests